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This year, I decided I’d finally play 2022’s Case of the Golden Idol, a mystery game that thrusts you onto the scene of a murder moments after it’s happened. You pan through several screens, absorb every detail you possibly can, gather clues in the form of nouns and verbs, and make logic-based deductions by filling in the missing details in passages that tell the story of what occurred there. There are systems in place to guide you in the right direction, and the game begins quite simply, but by its end, I was being pushed to my absolute limit. The first few cases took all of about 10-25 minutes, but the final one in the game seemed to stretch across the span of an entire night. My head was positively bursting with possible motives and culprits, and kudos to Case of the Golden Idol for allowing me the room to be wrong about these cases until I eventually divined the right permutation of terms and cracked the case. It was one of the most frustrating ends of a game ever, and I was enamored of the whole experience.
I bring up Case of the Golden Idol and this frustration because, overwhelmingly,
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